[
    {
        "role": "user",
        "content": "I%20live%20in%20Dublin%20and%20looking%20to%20get%20a%20Earthworks%20Ethos%20where%20and%20how%20much%20how%20good%20are%20they%20I%20do%20a%20podcast%20every%20month%20and%20use%20to%20use%20a%20heil%20pr40"
    },
    {
        "role": "assistant",
        "content": "Here\u2019s a breakdown of how good the Earthworks ETHOS mic is, how it stacks up against something like your Heil PR40, and where you in Dublin / Ireland could buy one \u2014 with up-to-date prices as of October 2026.\n\n---\n\n## \ud83c\udf99Specs & Sound: What the ETHOS Offers\n\nCompared to typical dynamic broadcast mics (like the Heil PR40), the Earthworks ETHOS is a condenser-style mic built for clarity, speed, and detail. It uses a small-diaphragm (14 mm) supercardioid condenser element. ([earthworksaudio.com](https://earthworksaudio.com/streaming-microphones/ethos/?utm_source=openai))\n\nHere are its standout features:\n\n- Frequency range from **20 Hz up to 30 kHz**, giving you more air and detail top-end than most broadcast dynamics. ([soundonsound.com](https://www.soundonsound.com/reviews/earthworks-ethos?utm_source=openai))  \n- Self-noise around **16 dB-A** \u2014 low, but you\u2019ll still hear room noise more than with a PR40. ([soundonsound.com](https://www.soundonsound.com/reviews/earthworks-ethos?utm_source=openai))  \n- Handles up to **145 dB SPL** before distortion \u2014 very high headroom, so loud sounds won\u2019t overload it. ([earthworksaudio.com](https://earthworksaudio.com/streaming-microphones/ethos/?utm_source=openai))  \n- Comes with a custom multi-stage windscreen, stainless steel body, and a Triad-Orbit M2-R ball mount for flexible positioning. ([soundonsound.com](https://www.soundonsound.com/reviews/earthworks-ethos?utm_source=openai))  \n\n### \u2705 Strengths vs Heil PR40\n\n| Aspect | Earthworks ETHOS | Heil PR40 |\n|---|---|---|\n| Detail / air at top frequencies | Superior; broader upper range ([soundonsound.com](https://www.soundonsound.com/reviews/earthworks-ethos?utm_source=openai)) | More rolled-off; smoother on mids, but less top end |\n| Low-end thump / proximity effect | Less \u201cboom\u201d \u2014 smaller diaphragm, flatter response close-up ([soundonsound.com](https://www.soundonsound.com/reviews/earthworks-ethos?utm_source=openai)) | Stronger presence boost and bottom end when close |\n| Noise floor / background noise | More sensitive; room treatment matters more ([soundonsound.com](https://www.soundonsound.com/reviews/earthworks-ethos?utm_source=openai)) | Less sensitive; more forgiving in imperfect spaces |\n| Handling plosives / wind | Built-in windscreen and shield help a lot ([soundonsound.com](https://www.soundonsound.com/reviews/earthworks-ethos?utm_source=openai)) | Requires external pop filter or more distance/mouth angle |\n\nIf you\u2019re producing a monthly podcast and want **more clarity, detail, and presence**, ETHOS will deliver \u2014 especially if your setup, room, and interface are pretty solid. If you like that deep-rich sound of the PR40, ETHOS will feel more neutral and less \u201cbroadcast boom.\u201d\n\n---\n\n## \ud83d\udcb6 Where & How Much in Dublin / Ireland\n\nHere are current prices and options in Europe / Ireland. All include VAT unless noted. Check stock before you order.\n\n- Thomann.ie lists the ETHOS new at **\u20ac499** (Stainless Steel finish) ([thomann.ie](https://www.thomann.ie/earthworks_audio_studio_equipment.html?utm_source=openai))  \n- The black-finish version is about **\u20ac555** via Thomann Austria ([thomann.at](https://www.thomann.at/earthworks_audio_ethos.htm?utm_source=openai))  \n- UK dealers like Bax Music have it at **\u00a3492** for the black version (~\u20ac565+) including VAT and shipping into Ireland. ([bax-shop.co.uk](https://www.bax-shop.co.uk/broadcasting-microphones/earthworks-ethos-black-broadcast-microphone?utm_source=openai))  \n\n### \ud83d\uded2 Local shops\n\nI didn\u2019t find any Dublin stores stocking the ETHOS in store online as of today; you\u2019ll likely need to order it. Good shops to check:\n\n- **Comans** in Dublin \u2013 big dealer for pro audio gear. Ask if they can order for you.  \n- **McGonagle\u2019s** \u2013 traditionally strong on gear. Worth a call.  \n- **Soundstore** / **Avalanche**, etc., for import.  \n\nOrdering from Thomann or a UK retailer with VAT-inclusive pricing and safe shipping is often the most economical, assuming no surprise import charges.\n\n---\n\n## \u2699\ufe0f Is It Worth It in Your Case?\n\nSince you used to run an Heil PR40 monthly, here\u2019s what MATTERS:\n\n1. **Interface power and gain** \u2013 ETHOS requires phantom power (24-48V) and you\u2019ll notice you need less gain compared to PR40 in many cases. But if your preamps are noisy, that could still show. ([bhphotovideo.com](https://www.bhphotovideo.com/c/product/1666788-REG/earthworks_ethos_broadcast_condenser_microphone.html/overview?BI=20811&KBID=16572&SID=wp-us-6776617923310299799&utm_source=openai))  \n2. **Room treatment** \u2013 ETHOS will pick up more ambient sound due to its sensitivity. Good reflections, AC noise, etc., might become more obvious.  \n3. **Voice balance** \u2013 If your voice benefits from more air or you want crisp clarity (especially with remote interviews or mixed format), ETHOS leans that way. For the classic radio sound or \u201cboom\u201d in voice, you\u2019ll probably need EQ or distance.  \n4. **Budget** \u2013 The cost (~\u20ac500-\u20ac600) is high, but so is the build quality and sound. If you're making a return (advertising, subscribers), it\u2019s a serious investment.  \n\n---\n\nIf you like, I can compare side-by-side blind test clips of ETHOS vs PR40 in podcast settings (voice only) to help decide which sound you prefer. Want me to pull those together for you?"
    },
    {
        "role": "user",
        "content": "no%20my%20room%20is%20not%20treated%20and%20there%20is%20a%20noise%20my%20voice%20has%20no%20boom%20what%20good%20quality%20mic%20would%20you%20suggest%20I%20plug%20it%20into%20a%20Vocastor%20two%20so%20any%20help%20or%20pointers%20would%20help"
    },
    {
        "role": "assistant",
        "content": "If your room isn\u2019t treated, there\u2019s background noise, and your voice lacks \u201cboom\u201d (that low-end richness), then choosing the right microphone *and* improving what you can in the space will make a big difference. Since you\u2019re using a Vocaster Two (XLR & USB hybrid interface), here are solid mic suggestions, practical setup tips, and ways to add richness.\n\n---\n\n## \ud83c\udfaf What To Look For In A Mic, Given Your Room\n\n| Feature | Why It Matters in Untreated Rooms |\n|-------|--------------------------------------|\n| Dynamic capsule | Picks up less room echo and ambient noise than condensers. ([slowhum.com](https://www.slowhum.com/record/best-podcast-microphones?utm_source=openai)) |\n| Cardioid or hypercardioid pickup | Focuses sound from the front of the mic, rejects background sounds. ([podcastsetuplab.com](https://podcastsetuplab.com/best-podcast-mic-for-untreated-rooms/?utm_source=openai)) |\n| USB/XLR hybrid (if you need flexibility) | Can plug into interface (like your Vocaster) now, use USB direct later if needed. ([riverside.com](https://riverside.com/blog/podcast-microphone?utm_source=openai)) |\n| Low proximity effect or controlled bass boost | Micros like the SM7B or similar have ways to tame \u201cboomy\u201d bass when super close; helps if you want some richness without mud. ([thepostflow.com](https://thepostflow.com/production/audio/best-podcast-microphone/?utm_source=openai)) |\n\n---\n\n## \ud83d\udee0 Microphones That Perform Well in Untreated Rooms\n\nHere are mics that users consistently pick when their rooms aren\u2019t great. All are dynamic, many have hybrid connections:\n\n| Mic | Pros | Tradeoffs / What You\u2019ll Need |\n|-----|------|-------------------------------|\n| **Samson Q2U** | USB+XLR hybrid, affordable (~US$70\u201380), great value for dynamic sound with low noise. ([riverside.com](https://riverside.com/blog/podcast-microphone?utm_source=openai)) | The build is lighter; may lack internal pop protection\u2014use a windscreen. |\n| **Audio-Technica ATR2100x-USB** | Warm voice, forgiving sound, USB & XLR. ([kodiak-den.com](https://kodiak-den.com/posts/best-podcast-microphone-under-100/?utm_source=openai)) | Bass isn\u2019t super deep; positioning important. |\n| **Shure MV7+** | Excellent noise rejection; hybrid output; onboard controls. ([riverside.com](https://riverside.com/blog/podcast-microphone?utm_source=openai)) | More costly; USB connection has limits compared to XLR depending on Vocaster Two settings. |\n| **R\u00d8DE PodMic** | Rich mid/lower-mid sound (helps \u201cboom\u201d), tough build. ([podcastsetuplab.com](https://podcastsetuplab.com/best-podcast-mic-for-untreated-rooms/?utm_source=openai)) | It\u2019s XLR only; Vocaster Two gives you what you need, but USB convenience is gone. |\n| **Shure SM7B** | Broadcast standard; incredible in bad rooms; thick, flattering sound. ([thepostflow.com](https://thepostflow.com/production/audio/best-podcast-microphone/?utm_source=openai)) | Needs a clean, high-gain preamp; often needs a Cloudlifter/inline booster if your interface is weak in gain. |\n\n---\n\n## \ud83d\udd27 How To Get More \u201cBoom\u201d (Low-End Warmth) Without Mud\n\nEven with a dynamic mic, you *can* get more warmth. Here are setup & technique tips:\n\n1. **Close positioning**: Speak 5\u201310 cm (\u22482\u20134 inches) from the mic, slightly off to one side (not directly in front), helps both bass pickup and reduces popping.  \n2. **Angle off-axis rude surfaces**: Make sure reflective walls\u2014windows, mirrors\u2014aren\u2019t directly next to you; put mic foam / blankets behind you or above walls.  \n3. **Soft surfaces**: A carpet on floor, curtains, furniture help. Even heavy duvet or blanket behind the mic helps reduce echo.  \n4. **Pop filter / foam windscreen**: Helps with plosives; some bass comes through the chest resonance when speaking close.  \n5. **EQ sparingly in post or real-time**: Boost 80-120 Hz a little if you want more \u201cboom,\u201d but cut 200-400 Hz if sound gets muddy. Low cut around 60 Hz can clean up rumble.  \n6. **Compression / gain staging**: Set input gain so your loud speaking doesn\u2019t clip (peak-30%), then use mild compression to even out volume. Vocaster Two should help here.  \n\n---\n\n## \ud83d\udca1 What Matches Your Vocaster Two Setup\n\nSince you have the Vocaster Two, you have these benefits:\n\n- It supports XLR mics with phantom power off (dynamics) \u2014 perfect.  \n- It has built-in DSP / effects like EQ, compressor, limiter \u2014 use those as polishing tools.  \n- The Vocaster Two will allow you to monitor input levels; avoid noisy preamps. (Dynamic mics require more gain, so ensure interface preamps are good.)\n\nSo pairing your Vocaster Two with a strong dynamic XLR mic (like PodMic or SM7B if budget allows) gives you the cleanest, most usable sound.\n\n---\n\nIf you tell me your budget (in EUR or GBP) I can pull up some options *available in Dublin / online to Ireland* that match your price range + preferences. Do you want me to scope some exactly for you?"
    },
    {
        "role": "user",
        "content": "my%20budget%20would%20be%20about%20350%20euro%20what%20aboutthe%20Shure%20SM7B"
    },
    {
        "role": "assistant",
        "content": "The Shure SM7B is often called the \u201cgo-to mic\u201d for podcasters in untreated rooms\u2014and with reason. Here\u2019s a detailed look at whether it might fit your \u20ac350 budget, how well it combats room issues, and what trade-offs you should expect.\n\n---\n\n## \ud83c\udf0d Price Check in Ireland\n\n- In Thomann Ireland, the SM7B is priced **\u20ac399** including VAT. ([thomann.ie](https://www.thomann.ie/shure_sm_7b_studiomikro.htm?utm_source=openai))  \n- That\u2019s already **above your \u20ac350 budget**, so unless you find a used one or a sale, buying new might cost an extra \u20ac50 or more.  \n\nSo, with your budget, you'd likely need to seek a used SM7B in good condition or possibly wait for a deal or discount.\n\n---\n\n## \ud83d\udd0a What Makes the SM7B Good for Untreated Rooms\n\nThese are the strengths of the SM7B, especially when acoustic treatment is minimal:\n\n- It uses a **dynamic capsule with a cardioid pattern**, which strongly rejects sound from behind and off-axis sources. That means reflections from bare walls, a noisy fan, or traffic outside are far less likely to get picked up clearly. ([decibelgrade.com](https://decibelgrade.com/blog/shure-sm7b-review?utm_source=openai))  \n- It has built-in **air suspension shock isolation** and a pop screen, which reduce handling noise, desk bumps, as well as plosive \u201cpopping\u201d sounds from speech. ([shure.com](https://www.shure.com/en-US/docs/guide/SM7B?utm_source=openai))  \n- It features **switches on the mic body**: a bass-rolloff switch for trimming boom / low-end, and a presence boost for clarity in the upper mids. So you can tweak tone at source. ([shure.com](https://www.shure.com/en-US/docs/guide/SM7B?utm_source=openai))  \n\nMany reviews describe it as \u201crewarding untreated rooms like nothing else\u201d and say it \u201ctruly separates itself\u201d when room treatment is poor. ([decibelgrade.com](https://decibelgrade.com/blog/shure-sm7b-review?utm_source=openai))  \n\n---\n\n## \u26a0\ufe0f Things You\u2019ll Need to Consider / Add to Your Setup\n\nThe SM7B has a few requirements and trade-offs that affect whether you\u2019ll get the kind of sound you want:\n\n| Limitation | Why It Matters | Workaround |\n|---|------------------|------------|\n| **Low output** (sensitivity \u2248 \u201359 dBV/Pa) | You\u2019ll need around **60 dB of clean gain** on your preamp to hit good levels without noise. Most budget interfaces struggle with that. ([decibelgrade.com](https://decibelgrade.com/blog/shure-sm7b-review?utm_source=openai)) | Check if your Vocaster Two has enough gain. If not, get an **inline booster** like a Cloudlifter, FetHead, etc. Adds cost but boosts signal cleanly. |\n| **Weight & mounting** | SM7B is heavy (~765 g). Cheap boom arms may sag, causing mic position to drift. ([decibelgrade.com](https://decibelgrade.com/blog/shure-sm7b-review?utm_source=openai)) | Use a solid boom arm or stand; ensure secure clamps & cable strain relief. |\n| **XLR only** | No USB \u201cplug-and-play\u201d option with this mic; you\u2019ll always need the interface. | But since you have the Vocaster Two (which supports XLR), you're set here\u2014just need gain. |\n| **Cost relative to budget** | Around \u20ac399 new means stretching past your preferred limit. | Consider buying used, or look at mics like the ATR2100x-USB, PodMic etc. |\n\n---\n\n## \u2705 Verdict: Is SM7B Worth Stretching For?\n\nGiven your room is untreated and suffers from noise, **yes**, the SM7B is probably one of the best options under or near \u20ac400 you can get. It\u2019s especially strong if the PR40 you used had decent output but maybe let in too much room and lacked clarity or control.\n\nIf you're willing to stretch your budget to ~\u20ac400 and maybe add a booster or better arm, the SM7B can deliver a step up, especially for producing richer low-end (\u201cboom\u201d) while keeping background noise low.\n\n---\n\n## \ud83d\udd27 Alternatives if You Want to Stay Closer to \u20ac350\n\nHere are some good mics that compromise less, so quality remains high but costs stay closer to your budget:\n\n| Mic | Approx Price | Why It\u2019s a Solid Pick |\n|-----|----------------|----------------------------|\n| Audio-Technica **ATR2100x-USB** | Roughly \u20ac100-\u20ac180 depending on retailer | Dynamic voice, USB + XLR, solid rejection. Great value under what SM7B costs. ([podcaststack.io](https://podcaststack.io/tool/audio-technica-atr2100x-usb/vs/shure-sm7b/?utm_source=openai)) |\n| Rode **PodMic** (XLR) | Often ~\u20ac150-\u20ac200 | Good punch in mid/bass, built tough, works well close-up. Less prestigious than SM7B but more affordable. |\n| Samson **Q2U** | About \u20ac90-\u20ac120 | USB & XLR hybrid, dynamic. Very usable sound, low room pick-up. Great starter mic. |\n\n---\n\nIf you like, I can list **used SM7B units in Ireland** within your budget or mics around \u20ac300-\u20ac400 that could nearly match its strengths\u2014with direct retailer links. Want me to pull those together?"
    },
    {
        "role": "user",
        "content": "so%20Shure%20SM7B%20witha%20cloud%20lifter%20my%20standis%20a%20desk%20top%20stand%20which%20can%20hold%20so%20tell%20me%20what%20the%20full%20package%20i%20need%20to%20buy%20and%20where%20I%20would%20get%20it%20from%20also%20give%20me%20a%20link%20for%20it%20gear4music%20or%20musicmaker%20or%20any%20other%20online%20store"
    },
    {
        "role": "assistant",
        "content": "Here\u2019s everything you\u2019ll need to get the Shure SM7B setup working well in your space + links to buy the parts from shops that ship to Ireland (Gear4Music, Thomann, etc.). Prices are current as of October 2026 \u2014 worth keeping in mind that deals pop up.\n\n---\n\n## \ud83e\uddf0 Full Gear List\n\n| Component | Purpose | What to Look for |\n|----------|---------|------------------|\n| **Shure SM7B microphone** | Your core mic\u2014excellent dynamic, broadcast-style sound. It needs a boost because of its low output. |\n| **In-line preamp / Mic booster** | Provides ~+25\u201330 dB clean gain so your Vocaster Two doesn\u2019t need to be cranked high, reducing hiss. Example: Cloudlifter CL-1 or similar. |\n| **Desk stand or boom arm that supports weight** | SM7B is heavy (~765 g); your stand must handle both mic weight and length or force from cable. For desk-top: weighted base stands or a clamp boom arm. |\n| **Solid XLR cable (3-pin male\u2013female)** | Don\u2019t cheap-out \u2014 shielded cable, Neutrik connectors help reduce noise interference. 3\u20135 m is usually enough. |\n| **Pop filter or foam windscreen** | SM7B includes a built-in windscreen; if needed, consider extra filter for plosives if mouth is close. |\n| **Optional room dampening solutions** | Foam panels, blankets, rugs \u2014 anything to reduce reflection helps a ton in untreated rooms. |\n\n---\n\n## \ud83d\udcb6 What You\u2019ll Pay & Sources in Ireland / EU\n\nHere are parts with live prices + links so you can see exact current shipping, stock, etc.\n\n| Item | Price Approx | Where to Buy |\n|------|---------------|--------------|\n| Shure SM7B | ~**\u20ac399** new via Thomann Ireland. ([thomann.ie](https://www.thomann.ie/shure_sm_7b_studiomikro.htm?utm_source=openai)) \u2022 Gear4Music sells it too (new around ~\u20ac458). ([gear4music.ie](https://www.gear4music.ie/Recording-and-Computers/Shure-SM7B-Dynamic-Studio-Microphone/G6X?utm_source=openai)) \u2022 Also offered used from ~**\u20ac313.50** on Gear4Music. ([gear4music.ie](https://www.gear4music.ie/Recording-and-Computers/Shure-SM7B-Dynamic-Studio-Microphone/G6X?utm_source=openai)) |\n| Cloudlifter CL-1 (Mic Boost +25 dB) | ~**\u00a399.99** (\u2248\u20ac115-\u20ac130) on Gear4Music UK. ([gear4music.com](https://www.gear4music.com/Cloud-Microphones?utm_source=openai)) \u2022 ~\u00a3139.99 in some listings. ([gear4music.com](https://www.gear4music.com/Recording-and-Computers/Cloud-Microphones-Cloudlifter-CL-1-Mic-Activator/137O?utm_source=openai)) |\n| XLR Microphone Cable (3-5 m) | From **\u20ac6-\u20ac15** depending on length / quality. Gear4Music has many balanced XLR (M)-to-(F) cables. ([gear4music.ie](https://www.gear4music.ie/Cables/Audio-Cables-XLR?utm_source=openai)) \u2022 Thomann also stock many options. ([thomann.ie](https://www.thomann.ie/cables_and_plugs_microphone_cables.html?utm_source=openai)) |\n| Stand / Boom Arm / Desk Stand | Weighted desktop stands: Shure Desktop Stand (Thomann) ~\u20ac30-35. ([thomann.co.uk](https://www.thomann.co.uk/shure_desktop_stand.htm?utm_source=openai)) \u2022 Or boom arms like Shure\u2019s Deluxe Articulating Desktop Mic Boom Stand (Gear4Music) \u2014 more flexible for positioning. ([gear4music.nl](https://www.gear4music.nl/nl/Opname-and-Computers/Shure-Deluxe-Articulating-Desktop-Mic-Boom-Stand/5KEW?utm_source=openai)) |\n\n---\n\n## \ud83d\uded2 Suggested Full Package Based on Your Budget (~\u20ac350 Limit)\n\nBecause the SM7B alone is generally more than \u20ac350 new, here are some possible package routes:\n\n### Option A: Stretch Budget Slightly\n\n- Buy a **used SM7B** (Gear4Music offers some from **~\u20ac313.50**) ([gear4music.ie](https://www.gear4music.ie/Recording-and-Computers/Shure-SM7B-Dynamic-Studio-Microphone/G6X?utm_source=openai))  \n- Add in a **Cloudlifter CL-1** (~\u20ac115-\u20ac130) ([gear4music.nl](https://www.gear4music.nl/nl/Opname-and-Computers/Cloud-Microphones-Cloudlifter-CL-1-Mic-Activator/137O?utm_source=openai))  \n- Use or get a basic desk stand (Shure\u2019s desktop stand ~\u20ac30-35) ([thomann.co.uk](https://www.thomann.co.uk/shure_desktop_stand.htm?utm_source=openai))  \n- Use a decent XLR cable you might already have, or add one (~\u20ac10-15) ([gear4music.ie](https://www.gear4music.ie/Cables/Audio-Cables-XLR?utm_source=openai))  \n\nEven used SM7B + Cloudlifter may push you close or slightly past \u20ac400, but if you get a good used one and cheaply sourced stand/cable, it might land near ~**\u20ac350-\u20ac420**.\n\n### Option B: Full New Gear & Smarter Mic\n\nIf sticking strictly to ~\u20ac350 total without going used:\n\n- SM7B = too expensive brand-new.  \n- Consider a mic like the **Rode PodMic** or **ATR2100x-USB** (hybrid XLR/USB) as I suggested earlier.  \n- Use the Cloudlifter only if preamp gain hovers into noisy territory.  \n- Good stand & cable added.\n\n---\n\nIf you like, I can pull up **3 complete bundles** currently in stock (new or used) in Ireland that hit **~\u20ac350-\u20ac450**, showing you exact webcams, mics, boosters, stands \u2014 side by side so you can compare which gives you the best value. Want me to find those?"
    }
]